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'Oh, it's nothing--only my Uncle John's died and left me five million dollars.'

The scene worked out so well that his mind became a little above itself. It suggested developments of serpentine craftiness. Why not get Jerry Nichols to write him a letter about his Uncle John and the five millions? Jerry liked doing that sort of thing. He would do it like a shot, and chuck in a lot of legal words to make it sound right. It began to be clear to Bill that any move he took--except full confession, at which he jibbed--was going to involve Jerry Nichols as an ally; and this discovery had a soothing effect on him. It made him feel that the responsibility had been shifted. He couldn't do anything till he had consulted Jerry, so there was no use in worrying. And, being one of those rare persons who can cease worrying instantly when they have convinced themselves that it is useless, he dismissed the entire problem from his mind and returned to the more congenial occupation of thinking of Elizabeth.

It was a peculiar feature of his position that he found himself unable to think of Elizabeth without thinking of Claire. He tried to, but failed. Every virtue in Elizabeth seemed to call up the recollection of a corresponding defect in Claire It became almost mathematical. Elizabeth was so straight on the level they called it over here. Claire was a corkscrew among women. Elizabeth was sunny and cheerful. Querulousness was Claire's besetting sin. Elizabeth was such a pal. Claire had never been that. The effect that Claire had always had on him was to deepen the conviction, which never really left him, that he was a bit of an ass. Elizabeth, on the other hand, bucked him up and made him feel as if he really amounted to something.

How different they were! Their very voices--Elizabeth had a sort of quiet, soothing, pleasant voice, the kind of voice that somehow suggested that she thought a lot of a chap without her having to say it in so many words. Whereas Claire's voice--he had noticed it right from the beginning--Claire's voice--

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While he was trying to make clear to himself just what it was about Claire's voice that he had not liked he was granted the opportunity of analysing by means of direct observation its failure to meet his vocal ideals, for at this moment it spoke behind him.

She was standing in the road, her head still covered with that white, filmy something which had commended itself to Mr Pickering's eyes. She was looking at him in a way that seemed somehow to strike a note of appeal. She conveyed an atmosphere of softness and repentance, a general suggestion of prodigal daughters revisiting old homesteads.

'We seem always to be meeting at gates, don't we?' she said, with a faint smile.

It was a deprecating smile, wistful.

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'Bill!' she said again, and stopped. She laid her left hand lightly on the gate. Bill had a sort of impression that there was some meaning behind this action; that, if he were less of a chump than Nature had made him, he would at this point receive some sort of a revelation. But, being as Nature had made him, he did not get it.

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He was one of those men to whom a girl's left hand is simply a girl's left hand, irrespective of whether it wears rings on its third finger or not.

This having become evident to Claire after a moment of silence, she withdrew her hand in rather a disappointed way and prepared to attack the situation from another angle.

'Bill, I've come to say something to you.'

Bill was looking at her curiously. He could not have believed that, even after what had happened, he could face her with such complete detachment; that she could so extraordinarily not matter. He felt no resentment toward her. It was simply that she had gone out of his life.